Copyright © 2024 Euromaidanpress.com

The work of Euromaidan Press is supported by the International Renaissance Foundation

When referencing our materials, please include an active hyperlink to the Euromaidan Press material and a maximum 500-character extract of the story. To reprint anything longer, written permission must be acquired from [email protected].

Privacy and Cookie Policies.

The revolution looming in Russia will be more like 1917 than like 1991, Pastukhov says

The Kremlin in a puddle, Moscow, Russia (Image: D. Abramov / vedomosti.ru)
Image: D. Abramov / vedomosti.ru
The revolution looming in Russia will be more like 1917 than like 1991, Pastukhov says
Edited by: A. N.

Twenty years before the Great French Revolution broke out in 1789, Lord Chesterfield wrote to his son that he had found during his visit to France “all the signs which [he] had sometime encountered in history and which usually precede a overthrow of the state and a revolution.”

Vladimir Pastukhov (Image: polit.ua)
Vladimir Pastukhov (Image: polit.ua)

Vladimir Pastukhov, a Russian historian at St. Antony’s College, cites this when he says that “all the signs which [he] ever encountered in culture and which usually precede the overthrow of the state and a revolution exist now in Russia and are increasing with each passing day.”

He draws that conclusion on the basis of the reaction of Russian commentators and politicians to a rap battle which took place last week between two Russians whose vocabulary and attitudes reflect the following four trends among young people and their elders who are chasing after them:

  • “The universal denial of any rules and conditions, the lifting of every and all taboos, the rejection not only of past culture but of the challenges of culture as such, the cult of wildness and force;”
  • “The poetization of cruelty, the voluptuous relishing of evil, the mockery of victims, the passionate denigration of weakness;”
  • “The aggressive decades, the pursuit of form at the expense of content, and the exaltation of the symbolic;” and
  • “Moral relativism where there is neither good nor bad but rather cynicism raised to an absolute.”

“All this,” the historian continues, “very much recalls the times of Russian futurism and constructivism with only this difference that futurism and constructivism were all the same to a remarkable degree original Russian formats while rap and other similar trends are deeply derivative.”

“The so-called ‘battle’” between two young rappers, Fedorov and Mashnov, was far less interesting than the reaction of Russian observers. Their reaction showed that the television is declining in importance to YouTube for Russian young people and that those born in the last 20 years have become the focus of elite attention.

Image: YouTube
Image: YouTube

According to Pastukhov, “the combination of subject and format is generating a chain reaction,” one that clearly suggests that “the fuel of all future revolutions and regime overthrows” can rely on “a renewable source of protest energy” and that this will lead to the outbreak of “a real war.”

Today, “the slogan for Russia is what is good for the young is good for politicians,” all of whom have suddenly begun to display a hitherto hidden love for rap music. “Everyone from Putin to Navalny is ready to sing ‘pioneer songs,’” but the words of the new songs are very different than those of Soviet times.

The message of this new rap is that “your culture is hateful to us, your laws are hateful to us … and we in general hate all of you. Somewhere we have already heard all of this,” in the years leading up not to 1991 but to 1917, Pastukhov says.

“A revolution matures over the course of decades … but creative people have a surprising nose for revolution. They feel the shifting of the social foundations much earlier than the institutions begin to fall.” And that is clearly what is happening in Moscow now.

“If one judges by the tendencies of the development of Russian culture and the tempos of its evolution into ‘an anti-culture,’ then the end of Putin’s ‘beautiful era’ will occur more according to the scenario of the beginning of the 20th century than according to the scenario of its end, however much one might prefer otherwise.”

Devastation in the Donbas - the product of Putin's military aggression into peaceful Ukraine. (Image: Slavyansk Delovoy)
Devastation in the Donbas – the product of Putin’s military aggression into peaceful Ukraine. (Image: Slavyansk Delovoy)

And “if ‘the battle’ of Fedorov and Mashnov is really mainstream,” Pastukhov continues, “then I know how the future Russia will be called – ‘a Greater Donbas.’” A revolution is inevitable, he says, but it will not be a “velvet” one but rather a bloody one carried out by “the real Russian political hardcore.”

Edited by: A. N.
You could close this page. Or you could join our community and help us produce more materials like this.  We keep our reporting open and accessible to everyone because we believe in the power of free information. This is why our small, cost-effective team depends on the support of readers like you to bring deliver timely news, quality analysis, and on-the-ground reports about Russia's war against Ukraine and Ukraine's struggle to build a democratic society. A little bit goes a long way: for as little as the cost of one cup of coffee a month, you can help build bridges between Ukraine and the rest of the world, plus become a co-creator and vote for topics we should cover next. Become a patron or see other ways to support. Become a Patron!

To suggest a correction or clarification, write to us here

You can also highlight the text and press Ctrl + Enter

Please leave your suggestions or corrections here


    Euromaidan Press

    We are an independent media outlet that relies solely on advertising revenue to sustain itself. We do not endorse or promote any products or services for financial gain. Therefore, we kindly ask for your support by disabling your ad blocker. Your assistance helps us continue providing quality content. Thank you!