
1 and 4 – photos from the Nazi death camps (not in Lviv)
2 – the yard of the Lontskyi Prison (Lviv) where NKVD agents shot hundreds of prisoners in June 1941. People are searching for their relatives
3 – “Tango of Death” – the orchestra of the Yaniv concentration camp (Lviv)
These outdoor posters are seen from the windows of trains running just in front of the museum in both the eastern and western directions.
Read also: Ukrainians discover stories of repressed relatives in newly opened KGB archives
Research of the archives is still ongoing, but preliminary calculations show that 500,000 people disloyal to the Soviet regime had gone through the jail over the decade of its existence. Among the prisoners, there were fighters of the Ukrainian armed resistance, intellectuals, priests, women, and children. Inside prison #25, they waited to be transported to the Gulag camps deep in Siberia, but many of them were killed before this could take place.


“We realize there are no easy topics when we talk about totalitarianism, so from the very beginning, we aimed to be open to an inclusive and respectful dialogue. Our museum is also quite interactive. Touching, taking photos, leafing through printed materials on exhibit is all allowed,” told Andriy Shymanski, a research fellow at the museum.

“Together with other similar institutions, the “Territory of Terror” makes Lviv an important destination for scholars whose domain is totalitarian regimes in Eastern Europe. For example, the Memorial Museum of Victims of Occupation Regimes “Lontskyi Prison” studies the same period as we do, while the Center for Urban History of East Central Europe has very strong Jewish studios, and it is all in one city,” says Anna Shymanska, the head of the information and education department of museum.

In 2012, I reached out to the “Territory of Terror” museum to get access to their archive of video interviews featuring female political prisoners. I was looking for women's memories about their stay in Soviet prisons and camps. The museum kindly provided me with not only videos but also the transcripts of the interviews which allowed me to study the evidence at a convenient time. I used this material in my book “The Ukrainian women in Gulag: surviving means winning” (forthcoming).
My impressions from cooperation with the museum are very positive. The staff is professional, all the sources are well-organized. I am going to continue my cooperation with the museum and have already recommended it to my сolleagues.”
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All photos are by the author
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