Poetry on fire: a personal journey through Ukraine’s Executed Renaissance

Collage: Ganna Naronina

Collage: Ganna Naronina 

Op-ed

As the world reflects on the meaning of the Russian revolution(s) of 1917 one hundred years later, Ukrainian-British poet and translator Stephen Komarnyckyj reminds that Russia’s Soviet hegemony over Ukraine was made possible by Stalin’s massacre of Ukrainian elites. Ukrainian culture demonstrated a striking revival in the dozen years between the dissolution of the Russian empire and the start of Stalin’s repressions, giving birth to a handful of innovative writers and poets. Virtually all of them were killed by the Soviet repressive organs. Some historians suppose that Lenin’s initial policy of “Ukrainization” which made the revival possible was intended to reveal the talents so that they could be easily eliminated. Today, Komarnyckyj aims to open them, and other Ukrainian authors, to the world at his publishing house in the UK.

The girl whose gold shoes glittered with paste diamonds stood in the aisle of the plane, her arms outstretched, as the aircraft juddered. I caught her eye and she smiled and headed towards the back of the plane, tentative as a newborn calf. It was 1992 and I was going to visit Ukraine, my father’s homeland, for the first time.

He was taking me to see my aunt who had been repatriated from exile in Vorkuta, a Soviet labor camp in the tundra. She lived in Volodymyr-Volynskyi, a historic town with a silver domed, sky blue cathedral at its heart. Her one-room flat was in a Soviet-era tower block. I saw her many times over the following years and gradually pieced together her story.

The truth is as tiny and clear as the final lacquered figurine at the heart of a Matryoshka doll

During a subsequent visit, I asked her to tell my wife what life in the Gulag was like. She peered into the corridor outside her apartment, then switched off the light in the hall and propped a chair under the door handle. Her voice broke as she described seeing bodies stacked like timber: how whole labor brigades had vanished in the tundra. When we met her friends from the camp in the street they would say “I was at university with your aunt.”

My aunt never had children of her own and I wondered if I was perhaps a surrogate son whose Englishness meant that I would always disappoint. We talked about literature and I began my literary translations perhaps seeking her endorsement. However my self-absorbed task was, I now realize, always futile. My aunt simply wanted me to be there and the tirades she delivered were simply manifestations of a love that could not express itself otherwise. Stalin had robbed her of the children and life she should have had.

During one of my visits, I purchased a copy of Yurii Lavrinenko’s 1959 tome “The Executed Renaissance.” The book collated work by a whole generation of Ukrainian authors who had emerged during the 1920s. The Soviet government had tried to entrench itself in Ukraine by encouraging the native language. The policy was applied across several non-Russian areas of the Soviet Union.

In Ukraine, where the language had been under attack since the 17th century, the measure resulted in a literary boom.

Ukrainian literature had long been more experimental than Russian perhaps because to write in Ukrainian was to issue a challenge to the empire.  The authors who emerged in this period included Tychyna, Bazhan, Svidzinsky, all of whom broke new ground in literature.

However, from 1930 onwards Stalin unleashed a wave of executions and mass murder on Ukraine in what Rafael Lemkin called “the classic example of Soviet genocide.”

The Soviets exterminated the peasantry by means of an organized famine now known as the Holodomor in 1932 to 1933. The country’s artistic and literary elite was also targeted. In both cases, deniable mechanisms were deployed.  The Holodomor was applied by a combination of complicated directives and by NKVD officers and party activists who were not privy to its aims.

Image: social media, translated by Euromaidan Press

Image: social media, translated by Euromaidan Press

The country’s authors were subject to a succession of culls using various pretexts.

These began with a grotesque theatrical trial against leaders of a fictitious “League for the Liberation of Ukraine” in 1930. Authors would subsequently be murdered or incarcerated on various ludicrous charges. Oleksa Vlyzko was accused of having fought in Denikin’s army at a time when he would have been ten years old.

Ukrainian culture is perceived as a “blasphemous” by some Russians

The brutally simple ploy of exterminating Ukrainians while pretending to be doing something else works to this day. Many academics are still seemingly bamboozled by events that are simple to understand but wrapped within layer after layer of lies and directives. The truth is as tiny and clear as the final lacquered figurine at the heart of a Matryoshka doll.

Lavrinenko’s anthology was compiled in post-war Paris using sources which had been preserved in the diaspora. As you leaf through the book the black and white photographs of the writers embalm their personalities in printer’s ink. Tychyna is lit with an ethereal radiance but looks detached and wary. Zerov’s meditative expression is obscured by the shadows that engulfed him in 1937.Leonid Chernov’s handsome head tilts to one side with a sly grin. You can see the playful poet who danced the shimmy in Ceylon and read Shevchenko to the fishes. The work of these authors is often strikingly beautiful and inventive.

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Illustrations for the “Executed Renaissance” anthology by Serhiy Maidukov. Image source: Jetsetter.ua

However, one of the paradoxes of literary translation is that some authors do not travel well. Equally, however, some authors slide effortlessly into another language because they are less experimental in their own tongue (although their work may have other qualities). Lord Byron and Edgar Alan Poe are more lauded in France than they are in England.   Auden said that a good poet should be like a valley cheese “local but prized elsewhere.” The very inventivity of some of these Ukrainian authors in their native tongue renders them difficult to translate.

The invisibility of these authors in the west is also due to Russian soft power.

As a 2012 Chatham House paper observed, Ukrainian culture is perceived as a “blasphemous” by some Russians. In their eyes Ukraine is an artificial construct dividing two people; to affirm Ukrainian identity is, according to Joseph Brodsky’s metaphor, to spit into the Dnipro. This message has been internalized in the west which sees Ukraine as reflected in the distorting mirror of Russian narratives. The country is portrayed as having an inferior literature. The Holodomor is depicted as part of a Soviet-wide tragedy. The truth is suffocated within the multiple layers of falsehood and misdirection.

If the western reader can discard the views of Ukraine imbibed from Russia, Ukraine’s culture yawns like Aladdin’s cave before them.

Pavlo Tychyna

Pavlo Tychyna

Pavlo Tychyna’s first collection Solar Clarinets (1918) contains a poem Zolotyi Homin (Golden clamour) which anticipates both T.S. Eliot’s “The Waste Land” and Ted Hughes’s “Crow.” Gold boats from the mists of antiquity berth on the shores of Kyiv as the bells of Lavra and Sofia ring. The feathers of a vast black crow obscure the sun. The poem captures both the exaltation of Ukraine’s national awakening in 1917 and the violent impulses of the human spirit. Tychyna’s command of Ukrainian is absolute he reinvented the language, much as Paganini remade the violin, as easily as most people breathe.

After 1930, Tychyna would ultimately be compelled to sing praises of the regime while his fellow authors and millions of his compatriots were murdered.

Volodymyr Svidzinsky evaded the bullet and the Gulag until World War 2. On 27 September 1941, he was arrested by the NKVD and accused of anti-Soviet agitation. He and other Ukrainian cultural figures were herded towards the east like livestock. When the convoy was at risk of being surrounded by the advancing German army they were crammed into a disused farm building. The structure was doused in petrol and set alight. For the Soviets, as for the Nazis, people were just resources for the regime or imperfections to be culled. The handwritten manuscript of his unpublished poems was believed to have burned with him.

Image: Business Views, translated by Euromaidan Press

Image: Business Views, translated by Euromaidan Press

I kept announcing my modest progress to my aunt. She would listen politely, puzzled, perhaps but I hope she understood I wanted to impress her. However the more I understood about these authors the less I wanted to translate them for personal reasons.

I realized that their story and that of the Ukrainian genocide had lessons for the world today.

Stalin’s gambit of masking violence within complex directives and manipulating western narratives is being pursued by his successors. Ukraine is being invaded while Putin’s western cheerleaders deny it is being invaded. The west itself is being dismembered by techniques that were and are utilized against Ukraine. Its failure to understand Ukraine’s past may be one of the reasons it loses its own future.

This is however, the least important reason for remembering and translating these writers. 2017 marks the 100th anniversary of the “October Revolution” and the 80th anniversary of the Great Terror. These events are usually viewed by westerners through Russian eyes. The Ukrainian revolution of 2017 and the mass culling of Ukrainian authors from 1930-37 are concealed within a narrative shaped by Russia. The voices of these writers are as faint as the radio signals from a distant star.

Результат пошуку зображень за запитом "Сандармох"

In August 2015, Ukrainians in Russia honored the memory of Ukraine’s elite massacred in Sandarmokh. Among them were writes Valerian Pidmohylnyi, Mykola Zerov, Hryhoriy Epik, Mykola Kulish, Marko Voronyi, Valerian Polishchuk

But we need them now. Great literature may be local but it speaks to us of our common humanity. The work of these writers enhances our understanding of the human condition. There are qualities such as Tychyna’s exuberant pantheism which seem uniquely Ukrainian. Yet this poet, like Wordsworth, teaches us the joy of simply existing within nature. Each of his fellow authors can, in different ways, enrich our understanding and experience of the world.

We have heard the voices of Lenin and Stalin who have nothing to say of any value. Let us hear the voices of these writers, their victims, who have so much more to tell us; we will be all the richer for listening to them.

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  • zorbatheturk

    Stalin’s crimes beggar belief.

    • Scradje

      She’s a great advocate for freedom from RuSSian tyranny. Which is why she is near the top of the list to be trolled by kremtroll vermin: Nuland, Soros, McCain, Edward Lucas, Louise Mensch, Bill Browder, Gary Kasparov, Ben Judah etc. Plus of course trolling continues posthumously on those murdered by putlerstani hit squads such as Boris Nemtsov, Anna Politkovskaya and Alexandr Litvinenko. The more you’re trolled by those maggots, the more good you’re doing.

      • zorbatheturk

        Agree totally.

  • slavko

    “Ukrainian literature had long been more experimental than Russian
    perhaps because to write in Ukrainian was to issue a challenge to the
    empire.”

    • Ihor Dawydiak

      During the time of the Holodomor, the murderous regime of Joseph Stalin did its utmost to suppress the news of this genocidal crime including the mass murders perpetrated against the Ukrainian intelligentsia by sealing Ukraine’s (AKA, the Ukrainian Soviet Socialist Republic) borders so that no person was allowed to enter or exit Ukraine without the expressed permission from specified Soviet authorities. In that regard, they were for the most part successful and the denial of this genocide has continued to this day under the auspices of Pompous Putin the Pederast. However, these denials by successive Russian regimes has not succeeded in suppressing the truth due to the tireless efforts of the Ukrainian emigre community, friends of Ukraine and all of the Ukrainian Administrations (with the exception of the traitorous Yanukovych regime) since the proclamation of Ukrainian independence in 1991. Ironically, what these Russian regimes have succeeded in accomplishing was the creation of martyrs and in part, a never seen before highly patriotic Ukrainian society that has included every ethnic group in the country.

      • slavko

        So true in what you wrote. The ultimate truth lies in the fact that the more Russia tries, the more it fails. Why? Because of Russian insincerity. The only success that Russia has had in the eyes of the world is in the field of “treachery” which will be Russia’s own undoing. Friendships whether on the international or local level requires an evolutionary process recognizing ourselves as the other and is the new way forward. The “Russian way” is more about “caveman style” of domination instead of cooperation.

        • zorbatheturk

          RuSSia has always been ruled by despots. Retaining power is their only goal.