Copyright © 2024

The work of Euromaidan Press is supported by the International Renaissance Foundation

When referencing our materials, please include an active hyperlink to the Euromaidan Press material and a maximum 500-character extract of the story. To reprint anything longer, written permission must be acquired from [email protected].

Privacy and Cookie Policies.

Documentary about Ukrainian mothers of war selected to premiere at Tribeca Film Festival

Image: War Motheres fb page
Documentary about Ukrainian mothers of war selected to premiere at Tribeca Film Festival
War Mothers, the Australian-Ukrainian documentary project inspired by stories from Euromaidan Press and the conflict in Ukraine, has been selected to premiere at the 2019 Tribeca Film Festival in New York. 

“Most people who have survived such trauma, who have seen such things, are broken by them… but Yana remains unbreakable.” (quote from the film)

The story follows 18-year-old Yana Zinkevych who, when war came to her country Ukraine in 2014, created a local chapter of an ancient order of battle medics to assist the sick and injured soldiers returning to from the front to little or no care.

Screenshot from the film

Three years into the conflict, her organization grew from a handful of dedicated followers to a battalion of veterans, but early one frosty winter’s morning Yana’s life and work came to a crashing halt as she found herself lying in a ditch, the remnants of her car resting on top of her.

This installment of the series follows on from an initial film (simply titled ‘War Mothers’) that won Best Short and Best Director: Short at the 2018 Melbourne Documentary Film Festival.

Read also: Ukrainian mothers given a voice with online documentary “War Mothers”

Story behind the story

Yana Zinkevych. Screenshot from the film

After dedicating a year and a half to their first project, filmmakers Stefan Bugryn and Steven Zelko thought their journey recounting the highly emotional stories of mothers who had overcome tragedy had ended. That was until they came across an article on Euromaidan Press titled “...In my heart, I’m dancing.

The article followed Yana’s selfless journey making her way in her country and the ongoing war, her subsequent accident as she went to assist those who fight for freedom and sovereignty, and the unexpected revelation of motherhood after staring down her darkness moments contemplating medical euthanasia. This left the filmmakers speechless. They knew this was another story that couldn’t be left untold.

Yana Zinkevich tutoring her medical group. Screenshot from the film

So, with the momentum of the first project, they went into production to revisit the war effort. The conflict hadn’t slowed, and Ukrainians continued to prove how strong they are, inspiring not only their countrymen but the world.

The second installment revisits the theme of how motherhood is shaped by conflict, with a singular focus on Yana’s extraordinary story of resilience, dealing not only with the ongoing war in her country, but the life-changing events of her accident. Stefan says:

“When I came across Yana Zinkevych’s story, I was awestruck, as if the words I read could not be true. How could all of this have happened in the life of an 18-year-old girl?

But it really did; the unbelievable was actually true. Yana did change the war in Ukraine with her paramedic battalion, despite her inexperience, and saved over 200 lives, before the accident even happened.”

Screenshot from the film

About the project in general:

“The process of making this documentary project (two films) has spanned three years now, and within (and outside of) that time they’ve had territory invaded and annexed, flight MH17 was downed by Russian backed separatists killing 298 people, and now over 12,000 people have died in fighting that still continues in the Donbas region.

I want to keep the conversation going around Ukraine. For people to share stories about Ukrainians like Yana, who don’t stop fighting despite the odds. For people to question why the fighting still exists, and how can we help stop it.

I also want to thank Euromaidan Press for continuing to cover the conflict.”

The story of “War Mothers” was told also through sand animation. Screenshot from the film
Stefan Bugryn

Both Stefan Bugryn and Steven Zelko are available for comment.

Contact: Stefan Bugryn – Director / Producer; +61 401 017 955 [email protected]
Steven Zelko – Producer / Editor; +61 419 520 143; [email protected]

Read also: 

You could close this page. Or you could join our community and help us produce more materials like this.  We keep our reporting open and accessible to everyone because we believe in the power of free information. This is why our small, cost-effective team depends on the support of readers like you to bring deliver timely news, quality analysis, and on-the-ground reports about Russia's war against Ukraine and Ukraine's struggle to build a democratic society. A little bit goes a long way: for as little as the cost of one cup of coffee a month, you can help build bridges between Ukraine and the rest of the world, plus become a co-creator and vote for topics we should cover next. Become a patron or see other ways to support. Become a Patron!

To suggest a correction or clarification, write to us here

You can also highlight the text and press Ctrl + Enter

Please leave your suggestions or corrections here

    Euromaidan Press

    We are an independent media outlet that relies solely on advertising revenue to sustain itself. We do not endorse or promote any products or services for financial gain. Therefore, we kindly ask for your support by disabling your ad blocker. Your assistance helps us continue providing quality content. Thank you!

    Related Posts