So here is someone who alternatively describes his own country’s public television as “state television financed by compulsory fees,” as a “journeyman’s piece of political propaganda,” or as a “socialist do-gooder’s medium,” asking a foreign state television station about the truth. And in so doing, he announces that nowadays in Switzerland or even all of Europe, you can’t trust your own press when you want to know the truth about Russia; but rather you can trust the state broadcaster of Russia’s authoritarian regime.
The Good of One’s Own and the Evil Other; and Evil of One’s Own and the Good Other
So let’s take Zanetti’s question seriously and take a look at what RT (German version) reports with regard to journalism in Russia. First of all: RT has no reports about the restriction of press freedom, censorship, or the persecution of journalists in Russia. A search with the keywords “freedom of the press” primarily calls up articles on the “Western lying press,” press censorship in Europe and Ukraine, the “ideological blindness” of the NGO Reporters Without Borders, and Breitbart’s “media alternative.” In other respects, however, the readings are actually enlightening. This is because RT – formerly Russia Today, a Russian state television broadcaster founded in 2005 and directed toward audiences outside Russia, which since 2014 maintains a multilingual web portal and multichannel news network on YouTube in Arabic, German, English, French, and Spanish – provides an excellent opportunity to research the most current media propaganda. How RT works is shown most candidly by a conversation between RT Editor-in-Chief Margarita Simonyan and the political scientist Dmitry Kulikov. Both agree that the West is committing “treason against its own values” and that the “fascistization in so-called ‘liberal democracies’ is advancing.” According to them, this is revealed among other things by the European parliament’s initiation of a “resolution” on the “fight against Russian propaganda,” which in “form and content” brings back “memories of a plenum of the Central Committee of the Communist Party of the Soviet Union.” Simonyan further claims that Western freedom of expression is under threat, respectively, that the West has long abandoned freedom of expression. Because, according to Simonyan, as soon as “a real manifestation of freedom of expression appears” – meaning media like RT and Sputnik – “that expresses actual dissenting thought and divergent opinion, they [that is, the EU] start passing such resolutions and try to stifle us.”RT provides an excellent opportunity to research the most current media propaganda.
The Medium is the Message
RT always describes its disinformation as a “second opinion” or “different perspective,” as a “counter-public sphere” vis-à-vis the “censored” press in Western Europe. Anyone who opposes RT also opposes freedom of expression in itself. However, RT only deploys this strategy for the West; in its reporting on Russia, freedom of expression remains a black hole. Reports on activists fighting for freedom of expression in Russia – such as Ildar Dadin, for example, sentenced to a three-year term in a penal colony for his one-person protests – don’t appear on RT. In contrast, the Western European press – according to RT – dances to the tune of a “central power” that “determines what is true according to political opportunity.” “A future,” says RT’s editor-in-chief, “that George Orwell had urgently warned us against in his work 1984.” In an adaptation of McLuhan’s slogan, at RT the medium is itself the message. The message is not contained by the individual reports, which are sometimes more and sometimes less accurate; rather, the message is the existence of RT itself: RT was established as a counter media to the Western press so that in the same move one could describe the latter as a “lying press.” Even RT’s promotional posters insist that RT is the “second opinion.” But these poster campaigns also provide a typical example of a different strategy: they criticize – sometimes quite rightly – the mendacious justification of the Iraq War by the United States, for example, in order to thereby conclude that RT and Russian policy are the only alternative. It is precisely this practice that presumably ensnares above all many people on the left.RT was established as a counter media to the Western press so that in the same move one could describe the latter as a “lying press.”
Reversals into the Opposite
RT also makes excessive use of the reversal into the opposite, a favorite rhetorical strategy of right-wing populists. We can identify at least three functions of the reversal into the opposite. First, RT wants to be able portray Russia as the last advocate of Western values and as a liberal country; and to portray Western Europe – particularly the EU – as a Soviet-style dictatorship. Second, the reversal targets the media itself, whereby propaganda is presented as a counter-public sphere and the independent press is alternatively described as the “lying press,” “so-called free press,” or censored press. This allows RT to depict criticism of RT itself as an organized threat against the last “counter-public sphere.” With all of these reversals, it is no coincidence that RT has appropriated a vocabulary originating with the non-conformist movements of the Soviet period: “counter-public sphere,” “dissident thinkers,” “new perspectives,” etc. are the buzzwords it uses to fuel its governmental resistance against opposition at home and against the West. In the meantime, right-wing populist parties have also claimed this vocabulary for themselves (AfD as dissident thinkers, SVP as the opposition, etc.). Third, there is a reversal of “real” and “medial,” because the people who in practice are destroying liberal values are the same people who celebrate those values in their propaganda. This split between medial representation and reality pursued by RT was tested over a long period in the Soviet Union, where “realistic” representations of the country in the press always resembled a utopian novel. It is a classic example of propaganda.Displacements
The aforementioned discussion between the political scientist and RT journalist reveals yet another typical strategy: displacement. For years, Russian state media have described criticism of their political system as Russophobia. In 2009, for example, the Russian author Viktor Yerofeyev was charged with “Russophobia” by members of the radical right-wing Movement Against Illegal Immigration (DPNI), founded in 2002, who view themselves as scent hounds for tracking Russophobia (the charge was later dropped).Criticism of Russia is thereby read as hatred toward a nation, culture, or ethnicity

“Clash within Civilizations”
The displacement of criticism from the field of politics to those of ethnicity and nationality is supposed to blind people to the political instrumentalization of “cultures” and to the cultural dimension of politics. A political instrumentalization of cultures always occurs when, for example, slogans like “clash of civilizations” (Samuel Huntington) are used to conceal the fact that nations, states, or societies do not first become heterogeneous just because of “foreigners.” They have always been heterogeneous, if one considers that differences are evoked above all by political or religious convictions and economic disparities, and not by ethnic membership – which in any case is a highly fluid category. While the good of one’s own and evil of the Other usually belong to the rhetorical arsenal of nationalist sentiment, Russia has now elbowed its way into this favorite binarism of right-wing populist politics and shifted the coordinates: RT is quasi working on creating for foreign readers a good Other or good Foreigner – a flourishing, cosmopolitan Russia – and, on the other hand, depicting Western societies – especially Germany – as the forecourt of hell.
Sylvia Sasse teaches Slavic literary studies at the University of Zurich and is a co-founder and member of the Center for Arts and Cultural Theory (ZKK). She is the editor of novinki and the Geschichte der Gegenwart.