An exhibition dedicated to Russian-French cultural relations was opened in Moscow on September 17, 2021. Among many historical objects lies the famous Gospel of Reims. Historians associate this outstanding manuscript dating from the Kyivan Rus era with the daughter of Kyiv Prince Yaroslav the Wise - Anna, who became the Queen of France. It is important to note that this ancient manuscript is presented as a written legacy of Russian history.
How do Ukrainian intellectuals react to this exhibition? How is it that Russia once again openly appropriates Ukrainian historical objects?
Grand exhibition and covert propaganda
The exhibition, entitled France and Russia: ten centuries together, opened on September 17 in the Moscow Kremlin Museums and will last until January, 2022.Many prominent museums were involved in this project, namely the National Museum of the Palaces of Versailles and Trianon, the Victoria and Albert Museum, the National Library of France, the Moscow Tretyakov Gallery, the Pushkin State Museum of Fine Arts, etc.

Europe remains silent!
The fact that the Reims Gospel is presented as a Russian artifact once again indicates Moscow’s crisis of identity, states culturologist Taras Voznyak.
“Europe is convinced that Kyivan Rus continued as Muscovy and that Moscow was founded before Kyiv. France has long pursued an anti-Ukrainian policy – first, propagating Nord Stream-2; second, blocking Ukraine’s accession to NATO. Today, this historical manuscript is called Russian. This is just another brazen step by Putin. Ukraine should send a strong note of protest through the Ministry of Foreign Affairs, the Minister of Culture or the President of the National Academy of Sciences,” says Taras Voznyak.
A long and difficult fight ahead
Taras Voznyak believes it will takes year to change Europe’s perception of Ukraine so that Europeans stop looking at Ukrainian history through Russian “eye glasses”.“It’s going to be a long and difficult fight. The best way to regain our historical past is not to bother modern historians and let them do their work. In addition, the rigid archaic National Academy of Sciences should be overhauled. It should receive more funding from the government and young historians and experts should be hired,” says Voznyak.

“It’s like saying that France appropriated Charlemagne’s crown for itself and denied it to Germany and Italy,” states Hrytsak.

Radio Liberty asked the Ministry of Culture and Information Policy, as well as the Ministry of Foreign Affairs, to provide information on whether Ukraine has reacted to the exhibition. Government spokesmen refrained from comments, requesting RFE/RL to contact relevant press services with an official inquiry.
