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A book fair in times of war

A book fair in times of war
Article by: Oleksandr Havrosh
Translated by: Mariya Shcherbinina

The publishers’ forum in Lviv was held during the most difficult time for Ukraine in its 21-year-long history. And despite nine desperate months of fighting for the very existence of Ukrainians, the capital of Halychyna in September was visited by hundreds of writers, publishers and tens of thousands of book lovers from every corner. In terms of numbers, this year’s book fair, despite the war, was not much smaller than the previous ones.

Sometimes the dead and wounded, Putin’s possible further intervention, Western sanctions were completely forgotten, and the people dived into the realm of the book headfirst. However, the unseen atmosphere of the threat from the East sometimes unexpectedly surfaced and returned them to severe reality.

One may see an advertisement for armored doors on a billboard from the marshrutka window that says: No terrorist will pass, or on Lviv oblast television, where one is invited to share their experience, you end up live among guests from the ATO. And even having stumbled into one’s hostel late in the evening, tired and exhausted, at the kitchen table, one meets an Aydar battalion fighter at the kitchen table, who came to Lviv for two weeks’ leave and is now peacefully sipping tea in camouflage, showing you pictures from combat on his laptop.

The war is everywhere: unseen, constant, threatening. It does not allow itself to be forgotten. Even if you stop looking at your newsfeed to throw it out of your subconscious, it will still catch up with you. Even at the presentation of a collective compilation of short stories Ode to Joy, which was supposed to rip us out of the shocking circumstances of today, the authors’ speeches began and ended with war.

When you find out that the person you’re sharing a room with is from occupied Donbas, you come to understand you cannot run from it. What is left is to shift your chair forward, pour a glass (what else?) and listen, listen, listen… Listen to how people would live for 1,5 months in an apartment block without water, and then without electricity or gas. How a shell fell onto the topmost floor, however, it never exploded, fortunately. How the terrorists shot a farmer before the eyes of his family next to his very own house, because he gave food to Ukrainian soldiers. Listen about thousands of militants who are buried in mass graves (the majority of them are not locals). How the city has become empty by two-thirds and even after liberation, one-third will not come back. How Donbas is slowly ‘starting to see,’ as there are less than one-third of pro-Russian shouters left. However, they are still waiting for ‘their people.’

Nobody knows what will happen next. My neighbor doesn’t know either, who in the past months lost 12 kilograms of weight and smokes two packs of cigarettes a day instead of one. “If the mercenaries return, we will have to run,” says he, even though his entire family is strewn across Donbas. However, he doesn’t want to live under their government again. He will protect his own home if he has to.

However, having talked enough about war, our further conversation slowly turns towards literature, and the argument here is no less ardent. War time has left its trace on books as well. The positive thing is the fall of book import from Russia by half, taking into account that most books in stores are Russian. Therefore the decision of the Publisher’s Forum not to give space to Russians is quite relevant, as even in Lviv there are more than enough Russian books in stores.

Meanwhile Ukrainian publishers decreased the amount of books and copies in times of bad crisis. For example, there are almost no new children’s books. However, despite the decreased volume, both the Art Palace and the square in front of it was crowded during all four days. The people bought books, even though they became more expensive (some very significantly).

Which means that Ukrainians are not only thinking about war, but about peace as well, which will definitely come after. Not panic and bite our elbows, but live in full emotion, grow intellectually and develop, construct ourselves and our own culture, become self-sufficient: this is the best response to Mordor that is coming from Moscow.

Translated by: Mariya Shcherbinina
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    Economist Edward Lucas Attacks Russia's RT and Sputnik for "manufacturing lies" and those working there as "freaks and propagandists"

    Feature by BBC Monitoring on 9 February

    Russian state media have hit back strongly at British journalist Edward Lucas after he criticized them at the recent Munich Security Conference and suggested that journalists working for them should be ostracized. One top TV presenter went as far as to brand Lucas a "village idiot".

    At a panel discussion at the annual Munich Security Conference on 6 February, Lucas, a senior editor at The Economist and author of The New Cold War, accused the Kremlin's international media operations, RT (formerly known as Russia Today) and Sputnik (rebranded successor to the Voice of Russia) of "manufacturing lies".

    He said the people working for them were "freaks and propagandists", who should be the target of a campaign of ostracism, according to records of the discussion published by RT and Russian state news agency RIA Novosti.[1]

    "If anyone puts a CV on my desk and on that CV I see they worked for RT or Sputnik or one of these things, that CV is going into the bin," Lucas said. He added that people in the West were wrong to see working for the Kremlin's international media as a "first stage on the career ladder". "It's not, it's the last stage," he told the Munich conference.

    "Journalistic Joe McCarthy"

    Russian state media came back, all guns blazing, with Lucas even getting a whole slot to himself on state channel Rossiya 1's weekly current affairs news roundup Vesti Nedeli.[2]

    Outspoken host Dmitriy Kiselev, who is also director-general of Sputnik's parent company Rossiya Segodnya (which confusingly translates as Russia Today), hurled a whole fistful of epithets at Lucas – "odious British journalist", "hysterical Londoner" and even "village idiot" – while rubbishing his analysis of Russian politics and accusing The Economist of practising censorship.

    RT responded more primly, saying it was "absolutely outraged" by Lucas's "specious attacks", which, it said, were particularly "despicable" as several of its journalists were daily risking their lives to "report on stories nobody else dares to touch".[3]

    Sputnik also had Lucas in its sights, describing him in one article as a "journalistic Joe McCarthy" – a reference to the US senator who instigated a witch-hunt against Communist sympathizers in the 1950s.[4]

    Lucas himself appeared to revel in the backlash, responding to Kiselev in kind.

    "Better than a Pulitzer prize? i get prime-time abuse from vile Kremlin mouthpiece Kiselov," he tweeted.[5]

    He could also take comfort from the support of fellow Twitterati, who suggested he had got under RT's skin.

    US journalist Michael Weiss observed that Lucas had "figured out RT hacks' Achilles heel", while Times columnist Oliver Kamm said he had "badly wounded them".[6][7]

    Writer and Russia watcher Ben Judah also weighed in, saying Lucas had put the wind up RT. "Experts should refuse to appear on RT – or any other? disinformation channel", he added.[8]

    "Misinformation"

    RT and its supporters also entered the fray on Twitter.

    One of its contributors, Robert Bridge, accused Lucas of being "scared to hear another side of the story", while the channel itself suggested his attack on its journalists may have been provoked by recent criticism of The Economist on its show In The Now.[9][10]

    In The Now dismissed as "absurd" a claim by The Economist that Russian state TV "conceals" bad economic news from its viewers. It showed excerpts from top TV bulletins talking about the collapse of the rouble to prove the contrary. It also said that the story of the rouble's woes and the looming recession had been well covered in Russian newspapers. To suggest otherwise, it said, was to promote "misinformation".[11]

    It called its analysis of The Economist's coverage a "tutorial on how to write a propaganda article".

    But RT's criticism of The Economist was itself guilty of omission and distortion.

    For example, it made no mention of the fact that on the day in mid December when the rouble tumbled by some 10 per cent, Rossiya 1 main news had ignored this story altogether.

    Also, it illustrated its claim about the Russian press's economic coverage with screenshots not from leading newspapers but from news agencies and websites, one of them a little known business portal from the Volga republic of Tatarstan.

    The panel discussion at the Munich conference, which also featured NATO commander and US general Philip Breedlove and Norwegian Defence Minister Ine Eriksen Soreide, looked more broadly at the issue of hybrid warfare and the role played in it by different media organizations.

    According to a report by Judy Dempsey on the Carnegie Europe website, the participants said that one of the reasons why RT and its ilk have been able to make such an impact is the cutbacks at top Western international media, such as the BBC World Service and the Voice of America.[12]

    [1] http://rt.com/op-edge/230315-rt-responds-lucas-munich/

    [2] http://vesti7.ru/news?id=45745

    [3] See note 1

    [4] http://sputniknews.com/columnists/20150208/1017973545.html

    [5] https://twitter.com/edwardlucas/status/564531479263600642

    [6] https://twitter.com/michaeldweiss/status/564468359048486912

    [7] https://twitter.com/OliverKamm/status/564408994853572609

    [8] https://twitter.com/b_judah/status/564541740863193091

    [9] https://twitter.com/Robert_Bridge/status/564665181549391873

    [10] https://twitter.com/INTHENOWRT/status/564758039371472896

    [11] https://www.youtube.com/watch?v=2H5X3WYm_3U

    [12] http://carnegieeurope.eu/strategiceurope/?fa=58998

    Source: BBC Monitoring research 9 Feb 15

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